In need of help, he turns, naturally, to old buddies Badger (Matt L. Mike suggests Alaska as a “last frontier” destination where one can start fresh, and that advice hovers over the ensuing action, which in the present day finds a bearded, scarred, and heavily freaked-out Jesse fleeing the scene of White’s slaughter of neo-Nazis-who had kept him imprisoned like a dog for months, cooking their meth-in former captor Todd’s (Jesse Plemons) El Camino. No matter its grand trappings-including a late explosion that shows off Gilligan’s bigger-than-usual budget-it’s an afterthought that’s surprisingly small in scale.Įl Camino opens with a flashback to Jesse and Mike Ehrmantraut (Jonathan Banks) on the banks of a river shortly before the latter’s demise, discussing possible future plans should they make it out of their circumstances alive. Moreover, despite superbly composed widescreen visuals and a tense late shootout, both of which strive to cast the proceedings as a neo-Western about a desperado on the run and in search of freedom, peace and salvation, this saga plays as little more than an extended (and, at times, distended) episode of the show itself. What’s disheartening about Gilligan’s feature, however, is that those spoilers are rather mundane, as there’s very little about this material that won’t be largely expected from die-hards. 11), it goes without saying that everything that follows is a spoiler. Given that El Camino has been shrouded in secrecy up until the moment of its Netflix premiere (this morning, Oct. Although in the process, he also proves that sometimes, closure is overrated. What he delivers is fan service of a moderately effective sort. Nonetheless, since no property is ever dead in this age of sequels, reboots and spin-offs, Vince Gilligan has seen fit to revisit his small-screen phenomenon with El Camino: A Breaking Bad Movie, a two-hour coda that picks up directly after his series’ 2013 finale, charting the efforts of Jesse Pinkman (Aaron Paul) to escape arrest and death in the aftermath of Walter White’s ( Bryan Cranston) blaze-of-glory massacre. If Breaking Bad’s ending wasn’t the greatest in television history, it still resolved things satisfactorily-and, for the most part, conclusively.
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